Amy Myers
Hyloz Field, 2003
graphite, gouache, conté on paper
44 x 60 inches
Amy Myers
Circumphase: Satellites and Origin of the Universe, 2002
ink, graphite, gouache on paper
88 X 90 inches
Amy Myers
Virtual Underground, Blue Phase, 1998
ink, graphite, gouache on paper
90 X 132 inches
Abby Leigh
Body Map, 2003
cotton, watermarked abaca, handcolored stamps and ink
30 3/4 x 39 1/2 inches
Abby Leigh
Body Map, 2003
cotton, watermarked abaca, handcolored stamps and ink
30 3/4 x 39 1/2 inches
Abby Leigh
Body Map, 2003
cotton, watermarked abaca, handcolored stamps and ink
30 3/4 x 39 1/2 inches
Abby Leigh
Eye-Sprout, 2002
abaca and reindeer horn
57 3/4 X 28 1/4 inches
Abby Leigh
Walenotte, 2002
linen on abaca on cotton
30 3/4 X 30 3/4 inches
Abby Leigh
Eye-Sprout, 2002
abaca, cotton and reindeer horn
21 X 28 1/2 inches
Alexander Ross
Untitled, 2002
gouache and acrylic on paper
59 1/2 x 51 3/4 inches
Alexander Ross
Untitled, 2002
oil paint on canvas
48 x 46 inches
Alexander Ross
Untitled, 2003
graphite on paper
30 x 22 1/2 inches
Alexander Ross
Untitled, 2001
graphite, colored pencil, gouache on paper
15 x 11 inches
Alexander Ross
Untitled, 2002
ink, graphite on paper
22 1/2 x 18 1/2 inches
Alexander Ross
Untitled, 2001
graphite, colored pencil on paper
16 1/2 x 15 inches
Beth Campbell
My Potential Future and How I Got There 5/10/03, 2003
pencil on paper
50 x 38 1/2 inches
Beth Campbell
My Potential Future and How I Got There 5/10/03 Sketch, 2003
ink, pencil and vellum
14 x 11 inches
Beth Campbell
"I was...", 2003
pencil on paper
8 x 8 inches
Betsy Kelleher
Situation Orange (#2), 2003
watercolor pencils and gouache on paper
22 x 22 inches
Betsy Kelleher
Splash on Baghdad Live, 2003
watercolor pencils, watercolor, gouache on paper
18 1/2 x 14 1/2 inches unframed
Betsy Kelleher
Satellites & DNA, 2003
watercolor, gouache, gel pen on Indian hand-made paper
10 x 13 1/4 inches
Betsy Kelleher
What Is, What If, What Is It?, 2003
watercolor pencils and gouache on paper
17 1/2 X 14 1/2 inches unframed
Betsy Kelleher
Night Lights & Blue Vapor, 2003
colored pencils, watercolor pencils and gouache on paper
17 1/2 X 14 1/2 inches unframed
Betsy Kelleher
Spin (Blue # 2), 2003
watercolor pencils and gouache on paper
13 1/2 X 15 1/2 unframed
Charles Spurrier
Untitled, 2003
paper with burned holes
34 x 24 inches sheet
Charles Spurrier
Untitled (detail), 2003
paper with burned holes
34 x 24 inches sheet
Charles Spurrier
Untitled, 1998
tape and adhesive vinyl on paper
29 7/8 x 22 1/4 inches
Charles Spurrier
Untitled, 2001
tape and pigment on paper
23 x 17 inches
Charles Spurrier
Untitled, 2001
tape, pigment, adhesive vinyl and paint on paper
23 x 17 inches
Charles Spurrier
Untitled, 1998
tape and pigment on paper
29 7/8 x 22 1/4 inches
Charles Spurrier
Untitled, 2001
tape, pigment, adhesive vinyl, light bulbs, electrical hardware, acrylic plastic, wood
48 x 48 x 16 inches
Charles Spurrier
Second Nature, 2000
tape, pigment, adhesive vinyl, steel
60 x 121 inches
Charles Spurrier
Pig Vision, 2000
tape, paper, steel
48 x 48 inches
Christian Garnett
Untitled (2/27/01-2), 2001
ink on paper
20 3/4 x 20 3/4 inches framed
Christian Garnett
Untitled (2/28/01-1), 2001
ink on paper
20 3/4 x 20 3/4 inches framed
Christian Garnett
Untitled (3/3/01-1), 2001
ink on paper
20 3/4 x 20 3/4 inches framed
Christian Garnett
Untitled (3/3/01-4), 2001
ink on paper
17 x 11 inches framed
Chris Garnett
Untitled (3/6/01-2), 2001
Ink and enamel on paper
19 x 16 3/4 inches
Chris Garnett
Untitled (3/4/01-5), 2001
Ink and enamel on paper
16 x 13 1/2 inches
Daniel Zeller
Marginal Instability, 2003
ink on paper
30 x 37 inches
Daniel Zeller
Marginal Instability (detail), 2003
ink on paper
30 x 37 inches
Daniel Zeller
Interest Free Loan, 2003
ink on paper
13 1/2 x 11 inches
Daniel Zeller
Flux Inhibitor, 2003
ink on paper
13 1/2 x 11 inches
Daniel Zeller
Interface, 2001
graphite on paper
6.25 x 8 inches
Daniel Zeller
Road Kill, 2001
graphite on paper
13 x 10 1/2 inches
David Brody
Fragment of a Much Larger Thing: Serpent, 2003
ink and pencil
variable dimensions
David Brody
Fragment of a Much Larger Thing: Serpent, (sketch)
2003
ink and pencil
variable dimensions
David Brody
F235,G1, 1999-2001
ink on paper
17 x 22 inches
David Brody
F221,G5,1999-2001
ink on paper
17 x 22 inches
David Brody
Region 39, 2002
acrylic on canvas
4 x 12 inches
David Brody
Region 38, 2001
Acrylic on canvas
4 x 12 inches
David Kramer
Installation View at Feigen Contemporary
David Kramer
Untitled, 2003
mixed media
17 1/8 X 15 1/4 inches
David Kramer
Untitled, 2003
mixed media
15 7/8 x 17 1/4 inches
David Kramer
Untitled, 2003
mixed media
16 1/4 x 15 1/2 inches
David Kramer
Untitled, 2003
mixed media
16 x 15 3/4 inches
David Kramer
Untitled, 2003
mixed media
16 1/4 x 13 7/8 inches
David Kramer
Untitled, 2003
mixed media
17 3/4 x 14 1/4 inches
David Kramer
Untitled, 2003
mixed media
16 3/4 X 14 1/4 inches
David Kramer
Untitled, 2003
mixed media
16 5/8 x 15 inches
David Kramer
Untitled, 2003
mixed media
18 3/4 x 15 inches
David Kramer
Untitled, 2003
ink and pencil on paper
10 x 8 3/4 inches
David Kramer
Untitled, 2003
ink and pencil on paper
9 1/4 x 8 inches
David Kramer
Untitled, 2003
ink and pencil on paper
11 1/8 x 8 1/4 inches
David Kramer
Untitled, 2003
ink and pencil on paper
10 1/4 x 9 inches
David Kramer
Untitled, 2003
ink and pencil on paper
10 1/4 x 8 1/4 inches
David Kramer
Untitled, 2003
ink and pencil on paper
10 x 9 inches
David Kramer
Heaven On Earth, 2001
mixed media
dimensions variable
David Kramer
Heaven On Earth, 2001
mixed media
dimensions variable
installation view at Southern Alberta Art Gallery, Canada
Daze
Jackson Avenue Study, 2001
gouache on paper
20 x 22 inches sheet
Daze
149th Street & Brooke Avenue, 2001
gouache on paper
16 x 22 1/2 inches sheet
Daze
Untitled, 2001
gouache on paper
15 x 44 inches sheet
Eric Holzman
Alboro, 2003
Egg tempra watercolor on paper
77 x 53 inches
Eric Holzman
Tree, 1999
Egg tempra watercolor on paper
9 1/2 x 12 3/4 inches
Eric Holzman
Tree, 1999
Egg tempra watercolor on paper
12 x 10 inches
Hilary Harkness
Sinking the Bismarck, 2002
graphite on paper
22 X 20 inches
Hilary Harkness
Sinking the Bismarck (detail), 2002
graphite on paper
22 X 20 inches
Hilary Harkness
Batter Splatter, 2003
graphite on paper
5 3/8 x 8 3/8 inches
Hilary Harkness
Le noeud de chaise de pompier, 2001
graphite on paper
16 1/4 X 19 3/4 inches
Hilary Harkness
Temporary Headquarters, 2001
oil on panel
22 x 24 3/4 inches
Hilary Harkness
Gallic Beauties of Yesteryear, 2001
oil on panel
14 X 18 inches
Ilse Murdock
Cereal Box Series No. 1, 2003
cardboard, paper and acrylic on paper
4 7/8 x 7 inches
Ilse Murdock
Cereal Box Series No. 4, 2003
cardboard, paper and acrylic on paper
8 7/8 x 10 inches
Ilse Murdock
Cereal Box Series No. 2, 2003
cardboard, paper and acrylic on paper
7 3/4 x 8 inches
Ilse Murdock
Cereal Box Series No. 3, 2003
cardboard, paper and acrylic on paper
7 1/4 x 10 inches
Ilse Murdock
Cereal Box Series No. 5, 2003
cardboard, paper and acrylic on paper
6 x 6 1/2 inches
Ilse Murdock
The Summer, 2003
cardboard, paper and acrylic on paper
8 1/2 x 6 inches
Iona Rozeal Brown
a3 blackface #48, 2003
acrylic on paper
50 x 38 inches
Iona Rozeal Brown
a3 #1, 2001
acrylic on paper
42 x 30 inches
Iona Rozeal Brown
a3 blackface #38 (side a), 2003
acrylic on shoji screen
70 x 72 inches
Iona Rozeal Brown
a3 blackface #38 (side b), 2003
acrylic on shoji screen
70 x 72 inches
Jae Shin
.4 / 30% (detail), 2003
graphite, color pencil, acrylic paint, pantone lettraset cutouts on vellum
17 1/8 x 23 1/8 inches
Jae Shin
b#23 (detail), 2003
graphite and pantone lettraset cutouts on vellum
16 1/8 x 23 1/8 inches
Jae Shin
6h / 70% (detail), 2003
graphite, color pencil, acrylic paint, pantone lettraset cutouts on vellum
17 1/8 x 23 1/8 inches
Jae Shin
Untitled (detail), 2003
ink on paper
17 1/8 x 23 1/8 inches
Jae Shin
227c/338 Berry Street (detail), 2003
graphite and acrylic paint on paper
18 X 48 inches
Jae Shin
6b/.4 at 278 (detail), 2003
graphite and ink on vellum
18 x 24 inches
James Angell
Untitled, 2000
pastel on paper
30 x 22 inches
James Angell
Untitled, 2000
pastel on paper
30 x 22 inches
James Angell
Untitled, 2000
pastel on paper
30 x 22 inches
James Angell
Untitled, 2001
pastel on paper
50 x 38 inches
James Angell
Untitled, 2001
pastel on paper
50 x 38 inches
James Angell
Untitled, 2001
pastel on paper
50 x 38 inches
Jennifer Bolande
Study for Appliance House. 1997-98
photocollage mounted to matboard
43 x 8 inches
Jennifer Bolande
Small Skyscraper, 1999-2000
duratrans, brass, painted steel fluorescent and electric components
33 1/2 X 13 3/4 16 1/4 inches
edition of 6
Jennifer Bolande
Appliance House Study, 2001
pencil and colored pencil on newspaper
22 X 13 1/2 inches
Jennifer Bolande
Appliance Contact #1, 1999
digital c-print
15 x 12 inches
edition of 6
Jennifer Bolande
Appliance Contact #2, 1999
digital c-print
15 x 12 inches
edition of 6
Jennifer Bolande
Appliance Contact #3, 1999
digital c-print
15 x 12 inches
edition of 6
Karin Davie
Separations in Deep Yellow, 2002
pigment, zippers on paper
41 x 41 inches
Karin Davie
Untitled (Frame Drawing 3), 1991
gouache on paper
30 X 22 inches
Karin Davie
Openings & Closings, 1996
gouache on paper
41 X 29 inches
Karin Davie
Pushed, Pulled, Depleted & Duplicated #8, 2003
oil on canvas
90 X 78 inches
Karin Davie
Pushed, Pulled, Depleted & Duplicated #7, 2002-2003
oil on canvas
84 X 108 inches
Karin Davie
Pushed, Pulled, Depleted & Duplicated #9, 2003
oil on canvas
72 X 96 inches
Kiki Seror
A dreamer that does not sleep, 2003
pencil and lettraset on paper
23 1/2 X 29 inches
Kiki Seror
Confidental, 2003
pencil and lettraset on paper
23 1/2 X 29 inches
Kiki Seror
How could you?, 2003
pencil and lettraset on paper
29 X 23 1/2 inches
Kiki Seror
The killer in me is the killer in you, my love, 2002
digital duratrans in lightbox
48x48 inches
Kiki Seror
Thoughts Can Kill: Dulcinea 2000, 2000
digital duratrans in lightbox
48x48 inches
Kiki Seror
Your death waits here between my thighs, my cold fingers will close your eyes, 2002
digital duratrans in lightbox
48x48 inches
Kim Jones
Foam House (4), 2002
mixed media on C-print
26 1/2 x 28 3/4 inches sheet
Kim Jones
Untitled, 1984-2001
acrylic, ink, colored pencil on paper
23 x 17.5 inches
Kim Jones
Untitled, 1984-2001
acrylic, ink, colored pencil on paper
28 x 22.5 inches
Kim Jones
Untitled, 1974-1984-2000
pencil, acrylic, ink on paper
22.5 x 28.5 inches
Kim Jones as "Mudman," October 1975,
October Fest, Mt. Pinos, CA
documentation of a performance
Lamar Peterson
Wonderful Morning, 2003
acrylic on paper
28 x 33 1/2 inches sheet
Lamar Peterson
Sunday's Clown, 2003
acrylic and gouache on paper
33 1/2 x 30 inches sheet
Lamar Peterson
Religious Painting, 2002
acrylic and gouache on paper
17 x 13 1/2 inches sheet
Lamar Peterson
The Green Eyed Monster, 2002
acrylic and gouache on paper
28 x 20 1/2 inches sheet
Lamar Peterson
The Butterfly Catcher, 2002
acrylic on paper
17 1/2 x 15 1/4 inches sheet
Luke Grey
Automatopia 54, 2002
ink on paper
22 x 30 inches sheet
Luke Grey
Automatopia 61, 2002
ink on paper
22 x 30 inches sheet
Luke Grey
Automatopia 68, 2002
ink on paper
22 x 30 inches sheet
Mary Temple
300,000-302,000 (detail 1), 2002
pigmented ink on Denril vellum
30 x 36 inches
Mary Temple
300,000-302,000 (detail 2), 2002
pigmented ink on Denril vellum
30 x 36 inches
Mary Temple
469,500-471,000, 2002
pigmented ink on Denril vellum
30 x 36 inches
Mary Temple
469,500-471,000 (detail), 2002
pigmented ink on Denril vellum
30 x 36 inches
Marry Temple
North Wall West Light (Low), 2003
Installation View at Feigen Contemporary, Wall painting
dimensions variable
Mary Temple
North Wall West Light (Low), 2003
Installation View at Feigen Contemporary, wall painting
dimensions variable
Marsha Cottrell
Periphery, 2003
unique inkjet print
35 X 47 inches
Marsha Cottrell
Periphery (detail), 2003
unique inkjet print
35 X 47 inches
Marsha Cottrell
Untitled, 2002
unique laser print
12 x 18 1/2 inches
Marsha Cottrell
Untitled (detail), 2002
unique laser print
12 x 18 1/2 inches
Marsha Cottrell
Untitled, 2002
unique laser print
12 x 18 1/2 inches
Marsha Cottrell
Untitled (detail), 2002
unique laser print
12 x 18 1/2 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
4 5/8 x 5 3/4 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
6 1/8 x 5 5/8 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
5 1/2 x 6 3/4 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
6 x 7 1/4 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
5 1/4 x 6 1/2 inches
Matthew Bliss
Untitled, 2003
watercolor and pencil on hotpress paper
5 3/4 x 6 7/8 inches
Matthew Bliss
Untitled (view1), 2003
brass, copper, glass, solder, oil paint
5 1/4 x 6 3/4 x 3 inches
Matthew Bliss
Untitled (view 2), 2003
brass, copper, glass, solder, oil paint
5 1/4 x 6 3/4 x 3 inches
Matthew Bliss
Untitled (view1), 2003
brass, copper, glass, solder, oil paint
5 1/2 x 4 1/2 x 2 inches
Matthew Bliss
Untitled (view2), 2003
brass, copper, glass, solder, oil paint
5 1/2 x 4 1/2 x 2 inches
Matthew Bliss
Untitled (front), 2003
brass, copper, solder, oil paint
5 3/4 x 8 x 2 1/2 inches
Matthew Bliss
Untitled (back), 2003
brass, copper, solder, oil paint
5 3/4 x 8 x 2 1/2 inches
Matthew Bliss
Untitled, 2003
brass, copper, solder, oil paint
6 1/4 x 5 x 2 3/4 inches
Matthew Bliss
Untitled, 2003
brass, copper, solder, oil paint
5 7/8 x 6 1/2 x 2 1/2 inches
Orly Cogan
Pop Tart, 2003
embroidery on fabric
38 X 14 1/2 inches
Orly Cogan
Little Debbie Cup Cake, 2003
embroidery on fabric
36 1/2 X 15 inches
Orly Cogan
Nature Girl (peeing), 2003
embroidery on fabric
33 1/2 X 15 1/2 inches
Orly Cogan
Bleeding Girl, 2003
embroidery on fabric
38 X 14 inches
Orly Cogan
Bleeding Girl, 2003
embroidery on fabric
38 X 14 inches
Orly Cogan
Camouflage, 2003
embroidery and applicay paint on vintage fabric
65 X 49 inches
Philip Smith
Kyoto Protocol, 2002
oil and wax on canvas
30 x 44 inches
Philip Smith
Yarn, 2002
oil and wax on canvas
43 x 54 inches
Philip Smith
Stare, 2002
oil and wax on canvas
54 x 43 inches
Philip Smith
Open Sesame, 2002
oil and wax on canvas
54 x 43 inches
Philip Smith
Mural, 2002
oil and wax on canvas
59 x 96 inches
Philip Smith
Haystack, 2002
oil and wax on canvas
54 x 43 inches
Reed Anderson
aparkforest, 2003
mixed media on paper
55 1/4 x 57 1/4 inches
Reed Anderson
S2D2, 2003
mixed media on paper
51 x 53 inches
Reed Anderson
Funny-Cry-Happy, 2003
mixed media on paper
57 x 55 inches
Reed Anderson
Siesta 69, 2003
mixed media on paper
26 3/4 x 25 1/2 inches
Reed Anderson
Cruel Hoax, 2002
mixed media on paper
75 x 66 inches
Richard DuPont
Untitled (77), 2003
photographic collage on paper
60 x 40 inches
Richard DuPont
Untitled (78), 2003
photographic collage on paper
60 x 40 inches
Richard DuPont
Self Anointed, 2002
resin, polyurethane, clothing on artist's base
77 x 30 x 45 inches
edition of 3
Richard DuPont
Untitled (54), 2003
photographic collage on paper
41 1/2 x 29 1/2 inches
Richard DuPont
Untitled (60), 2003
photographic collage on paper
41 1/2 x 29 1/2 inches
Richard DuPont
Untitled (59), 2003
photographic collage on paper
41 1/2 x 29 1/2 inches
Sherry Wong
Army, 2003
pencil, soft pastel on wood panel
24 x 24 inches
Sherry Wong
Battle, 2003
pencil, soft pastel on wood panel
24 x 24 inches
Sherry Wong
Pilgrimage, 2003
pencil, soft pastel on wood panel
24 x 24 inches
Sherry Wong
Jem, 2003
Mixed media on paper
6 1/2 x 9 inches
Sherry Wong
Wonderland, 2003
mixed media on paper
17 x 14 inches
Sherry Wong
Visit, 2003
mixed media on paper
22 x 30 inches
Sophie Matisse
POW! [After Roy Lichtenstein], 2002
gouache on paper
18 x 22 1/4 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Sophie Matisse
CRACK! [After Roy Lichtenstein], 2002
gouache on paper
18 x 23 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Sophie Matisse
The Conversation, 2001
oil on canvas
34 X 42 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Sophie Matisse
John Biglin in a Single Scull, 2000
oil on canvas
24 X 16 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Sophie Matisse
Gloucester Harbor, 2001
oil on canvas
16 X 22 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Sophie Matisse
Woman with a Pearl Necklace, 1999
oil on canvas
22 X 189 inches
© 2005 Sophie Matisse / Artists Rights Society (ARS), New York
Su-En Wong
Return to Paradise, 2003
color pencil and acrylic on panel
68 x 94 inches
Su-En Wong
Carrot Stick, 2003
color pencil and acrylic on paper
45 X 72 inches
Su-En Wong
Full Bloom, 2003
color pencil and acrylic on paper
80 X 118 inches
Virva Hinnemo
Untitled, 2003
acrylic on paper
18 x 20 1/4 inches
Virva Hinnemo
Side View, 2003
acrylic on paper
15 x 11 1/2 inches
Virva Hinnemo
Simplifying, 2003
acrylic on paper
19 x 17 1/2 inches
Virva Hinnemo
Untitled, 2003
acrylic on paper
14 3/8 x 13 1/2 inches
Virva Hinnemo
Untitled, 2003
acrylic on paper
7 1/4 x 9 1/2 inches
Virva Hinnemo
Little Window, 2003
gouache and acrylic on paper
14 1/2 x 10 1/2 inches
Vivian Outtaw
Untitled, 2003
ink on paper
24 x 18 inches unframed
Vivian Outtaw
Untitled, 2003
ink on paper
24 x 18 inches unframed
Vivian Outtaw
Untitled, 2003
ink on paper
24 x 18 inches unframed
Vivian Outtaw
Untitled, 2003
ink on paper
24 x 18 inches unframed
Vivian Outlaw
Self Portrait, 2000
oil on canvas
48 X 46 inches
Vivian Outlaw
Garry Wade, 2000
oil on canvas
48 X 48 inches
Walter Robinson
Ten of Hearts, 2003
acrylic on paper
11 x 8 inches
Walter Robinson
Nine of Hearts, 2003
acrylic on paper
11 x 8 inches
Walter Robinson
Eight of Hearts, 2003
acrylic on paper
11 x 8 inches
Walter Robinson
Three of Spades, 1996
acrylic on paper
12 x 9 inches
Walter Robinson
Four of Diamonds, 1996
acrylic on paper
12 x 9 inches
Walter Robinson
Nine of Diamonds, 1996
acrylic on paper
12 x 9 inches
Walter Robinson
Two Hands Full, 1994
pencil on paper
5 x 8 inches
Walter Robinson
Down the Toilet, 1994
pencil on paper
5 x 8 inches
Walter Robinson
Stacks of Money, 1994
pencil on paper
5 x 8 inches
Walter Robinson
Teke, 1995
pencil on paper
8 X 5 inches
Walter Robinson
Dog Burger, 1995
acrylic on paper
8 X 11 inches
Walter Robinson
Chimp, 2000
acrylic on paper
8 X 5 inches
Wendy Lehman
2029, 1998
watercolor and pen
6 x 4 inches
Wendy Lehman
2027, 1998
watercolor and pen
6 x 4 inches
Wendy Lehman
2043, 1998
watercolor and pen
6 x 4 inches
Wendy Lehman
3000, 1998
watercolor and pen
13x19 inches
Wendy Lehman
2077, 1998
watercolor and pen
11x7 inches
Wendy Lehman
untitled, 1998
watercolor and pen
6 x 4 inches
William Villalongo
Come Now, 2002
acrylic and marker on paper
30 x 22 inches each
30 x 66 inches overall
William Villalongo
Come, 2002
acrylic and marker on paper
30 x 22 inches each
William Villalongo
Come Down, 2002
acrylic and marker on paper
30 x 22 inches each
30 x 66 inches overall
William Villalongo
ooz, 2002
acrylic on canvas
48 X 60 inches
William Villalongo
Bi-Racial, 2002
acrylic, magazine cutouts and note bookpaper on canvas
48 X 60 inches
William Villalongo
Peek a Boo, 2002
acrylic on canvas
48 X 60 inches
OnLine
curated by Charlie Finch, George Negroponte and Robert Storr
May 29 - August 9, 2003
Drawing and line are the most basic and elemental means of communication, which from the beginning of human expression have continued to remain vital to art making in all media. It seemed only fitting then to employ the most recent high technology of virtual space and inaugurate our new website by having it couple with, amplify and link to a gallery exhibition, OnLine.
OnLine includes selected works by 38 artists in the Gallery with additional works by each artist viewable and available only on the Gallery's website, serving as a digital extension of the exhibition as well as a kind of cyber-catalogue.
To reach a wider community, we solicited the assistance of Charlie Finch, consummate gallery goer, sharp-eyed and true-tongued pundit for Artnet.com, co-author of "Most Art Sucks" and former New York editor of Coagula Art Journal and radio host for WBAI-FM "Artbreaking". Charlie, in turn, asked long time friends and colleagues, George Negroponte and Robert Storr, to collaborate.
George Negroponte is president of The Drawing Center, with which he has been closely associated since 1982, as well as a painter represented by Jason McCoy Inc, New York. He has been a lecturer at Princeton University and an instructor at Parsons School of Design and The New York Studio School, and has served on the Visual Arts Panel of The New York State Council on the Arts.
Robert Storr is an artist, lecturer, critic, curator, and contributor to many publications and author of numerous catalogues and books. In 2002 he was appointed the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts of New York University. Previously, he was the senior curator of painting and sculpture at the Museum of Modern Art in New York. He is the curator of a major exhibition on Max Beckmann scheduled at the Museum of Modern Art from June 26 – September 29, as well as Site Santa Fe's Fifth International Biennial, opening in July 2004.
With three guest curators and over three dozen artists, the notion of line and drawing has been interpreted broadly and diversely. The result is all-encompassing and includes the gestural and outlined, the ephemeral and emphatic, as well as the abstract, architectural and figural; however the essence of creativity holds the line and is clearly apparent both at the Gallery and online.