Nothing to Hide

The Feminine Landscape of 12 Latin American Artists

March 1 - May 17, 2015

Silvina Arismendi
Untitled,  2012
Chinese ink on canvas
dimension variable

Silvina Arismendi

Untitled,  2012
Chinese ink on canvas
dimension variable

 

Silvina Arismendi

Untitled,  2012 
Chinese ink on canvas
dimension variable
 

Silvina Arismendi

Marble Swirl, 2012, 97 inches
ButterCup Fool, 2015, 144. inches
Lilac Spring, 2015, 83.3 inches
wood, PVC

Silvina Arismendi

Marble Swirl, 2012, 97 in. $3,500
ButterCup Fool, 2015, 144. in. $5,500
Lilac Spring, 2015, 83.3 in.$5,500
wood, PVC

 

Monika Bravo
URUMU_Weaving_Time_Vertical,  2014
animation, media player, 50 in. vertical monitor, black wall
duration 5 min.
variation 1 of 3

Monika Bravo
URUMU_Weaving_Time_Vertical, 2014
animation, media player, 50 in. vertical monitor, black wall
duration 5 min.
variation 1 of 3
 

 

Monika Bravo

Studies for URUMU_Weaving_Time_4 corners_glass
Studies for URUMU_Weaving_Time_romboids_glass
Studies for URUMU_Weaving_Time_centipede_glass
2014
Glass, archival pigment, aluminum ledge
18 x 12 x 3 inches each
edition of 3 (second edition)

Monika Bravo

Studies for URUMU_Weaving_Time_centipede_glass,  2014
Glass, archival pigment, aluminum ledge
18 x 12 x 3 inches
edition of 3 (second edition)

Monika Bravo

Studies for URUMU_Weaving_Time_romboids_glass
2014
Glass, archival pigment, aluminum ledge
18 x 12 x 3 inches
edition of 3 (second edition)
 

Monika Bravo

Studies for URUMU_Weaving_Time_4 corners_glass,  2014
Glass, archival pigment, aluminum ledge
18 x 12 x 3 inches
edition of 3 (second edition)

 

Monika Bravo

Not in Exhibition

Studies for URUMU_Weaving_Time_diag,  2014
archival pigment on paper, custom red box
18 x 12 inches
edition of 3 (second edition)

Studies for URUMU_Weaving_Time_triangles,  2014
archival pigment on paper, custom red box
18 x 12 inches
edition of 3 (second edition)

Studies for URUMU_Weaving_Time_Romboids_01,  2014
archival pigment on paper, custom red box
18 x 12 inches
edition of 3 (second edition)

Tania Candiani
El Yamuna,  2013
photograph
35.5 x 23.5 inches
NFS

Tania Candiani

La Magdalena
El Yamuna
2013
looping videos (1:40 min., 2:40 min.)
NFS

Tania Candiani

 

Carolina Caycedo
Offerings 
image for screen printed devotional candles

Carolina Caycedo

Offerings 
images for screen printed devotional candles

Carolina Caycedo

Offerings 
screen printed devotional candles

Carolina Caycedo

Offerings 
screen printed devotional candles

Carolina Caycedo

Offerings 
screen printed devotional candles

Carolina Caycedo

Offerings 
image for screen printed devotional candles

Nicole Franchy
Diptych Many Changes 1,  2013 
Digital print on cotton paper
59 x 44.5 inches
Edition of 3 / 1 AP

Nicole Franchy

Diptych Many Changes 2,  2013
Digital print on cotton paper
59 x 57 inches
Edition of 3+1 AP

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P


Regina José Galindo, 2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P

Regina José Galindo,  2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo,  2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo,  2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo,  2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P

Regina José Galindo,  2014
still from Big Bang 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P
 

Regina José Galindo
still from Marabunta ,  2011
performance video documentation 
Edition 5 + 3 A/P

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P

Regina José Galindo,  2011
still from Marabunta 
performance video documentation 
Edition 5 + 3 A/P
 

Voluspa Jarpa,  2015
Secret from the series No-History´s Library
printed books

Voluspa Jarpa
Secret from the series No-History´s Library,  2015
printed books

Voluspa Jarpa
Secret from the series No-History´s Library,  2015
collection of printed books shelf

 

Mariana Juliano

Mariana Juliano,  2014
large format photograph printed on museum archival cotton paper, mounted, white wood frame with glass.
24 x 30 inches
unique
 

Mariana Juliano
Stunning,  2014
large format photograph printed on museum archival cotton paper, mounted, white wood frame with glass
24 x 30 inches
unique
 

Mariana Juliano
Wonderland,  2014
large format photograph printed on museum archival cotton paper, mounted, white wood frame with glass.
24 x 30 inches
unique
 

Mariana Juliano
Shambles,  2014
large format photograph printed on museum archival cotton paper, mounted, white wood frame with glass.
24 x 30 inches
unique
 

Mariana Juliano
Dashed Hopes,  2014
large format photograph printed on museum archival cotton paper, mounted, white wood frame with glass.
24 x 30 inches
unique

Jessica Mitrani
TamponDELUXE,  2009
metal, crystals, detachable tampon
8 x 5 ¼ x 5 ¼ inches- 20.3 x 13.3 cm (in box)
 

Jessica Mitrani
Sunny-Side Up,  2010
steel pans with etched mirror
size variable
 

Jessica Mitrani
Sunny Side Up (detail),  2010
steel pans with etched mirror
size variable

 

Jessica Mitrani
Black Rubber Bed
2010
metal and foam dipped in Black Rubber
30" x 74'' x 15'' high

 

Jessica Mitrani
Black Rubber Bed,  2010
metal and foam dipped in Black Rubber
30" x 74'' x 15'' high

 

Jessica Mitrani
Black Rubber Bed,  2010
metal and foam dipped in Black Rubber
30" x 74'' x 15'' high

 

Milagros De La Torre
BULLETPROOF/i>(Military Style Trend),  2008
archival pigment print on cotton paper, mounted on aluminum
39 x 39 in. / 100 x 100 cm
edition 3/7

 

Milagros De La Torre
BULLETPROOF/i>(Ladies Leater Jacket),  2008
archival pigment print on cotton paper, mounted on aluminum
39 x 39 in. / 100 x 100 cm
edition 4/7

 

Milagros De La Torre
BULLETPROOF/i>(Denim Jacket).  2008
archival pigment print on cotton paper, mounted on aluminum
39 x 39 in. / 100 x 100 cm
edition 3/7
Not in Exhibition
 

Milagros De La Torre
BULLETPROOF/i>(Military Style Trend),  2008
archival pigment print on cotton paper, mounted on aluminum
39 x 39 in. / 100 x 100 cm
edition 3/7


BULLETPROOF/i>(Ladies Leater Jacket),  2008
archival pigment print on cotton paper, mounted on aluminum
39 x 39 in. / 100 x 100 cm
edition 4/7

 

Milagros De La Torre,  2009
BULLETPROOF/i> installation

 

Cecilia Vicuña
Vaso de Leche/ Glass of Milk
Bogotá, Colombia, 1979 performance documentation 
NFS

Cecilia Vicuña
performance documentation
 

Manuela Viera-Gallo
Broken Promise #1, #2, #3,  2015
(from the Domestic Violence series)
ceramic plates, rope
dimension variable  

Manuela Viera-Gallo
Broken Promise #1, #2, #3,  2015
(from the Domestic Violence series)
ceramic plates, rope
dimension variable  

Manuela Viera-Gallo
Broken Promise #1, #2, #3,  2015
(from the Domestic Violence series)
ceramic plates, rope
dimension variable  
 

Manuela Viera-Gallo
Broken Promise #1, #2, #3,  2015
(from the Domestic Violence series)
ceramic plates, rope
dimension variable  
 

Manuela Viera-Gallo
El emigrante 
2014
Sawdust on paper
19.6 x 19.6 inches
 

Manuela Viera-Gallo
La emigrante
2014
Sawdust on paper
19.6 x 19.6 inches

 

Press Release

NOTHING TO HIDE: The Feminine Landscape of 12 Latin American Artists is an exhibition of emerging, mid-career and renowned artists, two of whom have been invited to represent national pavilions at the 56th Venice Biennale in 2015. 

These women reflect and project their feminine perspectives on the social landscape based on a contemporary society that has deep roots in ancestral cultures that to this day still survive in rituals, beliefs and traditions.

Their works point to an orphanhood in a society dismantled of sense, a society that is contradictory and fraught with violence. They reveal the failure of colonialism and its illusion of eliminating diversity by forcing the assimilation of a corrupted, complex identity that is difficult to decipher or be represented. In building their own visual representations, these attuned artists embody cultures that want to so loudly and openly speak out. It is a social instinct shaking Latin America's communities in various ways--a cry of a society in turmoil that aims to overcome social exclusion and discrimination. They channel the whispers of immigrants and young girls with no hopes on the horizon, and the lamentation of indigenous people living between the asphalt and the vertigo.

As such, the works of these artists assume a melancholy and poetic weight while remaining direct in their decry. Delving into secret female perceptions, and the primitive mystery of Mother Earth, they contain layers of meanings and readings. 

They evoke the waterfalls and deep rivers coming from the snowcapped mountains, conjuring the fatigue of the people to leave a mark in the high moors and endless deserts of loneliness and desolation of our society. In Latin American capitals where millions of people are living inorganically in densely concentrated structures lacking any urban planning, they summon a female energy within as a strategy of survival to the constant disappointment of its capitalist system

These works challenge the visitor to decode this social X-ray and compliance of "that what is"--a crude reality confronted with the utopia of a discovered Latin American "continent", a "continent" that desperately wants its own identity. They express the pain and abandonment, and the long and arduous road towards healing and recognition of a future with more possibilities of integration. Balancing energies of both surrender and action (as there is power in surrendering and acceptance in action) is the first step towards change, and these women from fiery lands offer a vital visual voice that is fully part of the contemporary discourse.

We have nothing to hide, nothing to hide. 

Manuela Viera-Gallo & Monika Bravo