Keri Oldham
Tower Card, 2018
watercolor on paper
19 x 14 inches
Keri Oldham
Trolling, 2018
watercolor on paper
26 x 22 inches
Keri Oldham
Warrior with Severed Claw, 2018
watercolor on paper
19 x 14 inches
Keri Oldham
Deadly Night Fortress, 2018
watercolor, graphite, and paper-pulp on paper
47 x 43 inches
Keri Oldham
Haunted Vigil, 2018
watercolor, graphite, and paper-pulp on paper
50 x 47 inches
Keri Oldham
House of Revelations, 2018
watercolor on paper
22 x 22 inches
Keri Oldham
Labyrinth with Cigarettes, 2016
watercolor on paper
47 x 35 inches
Keri Oldham
Marling, 2016
watercolor on paper
30 x 22 inches
Keri Oldham
Demon Legion, 2016
watercolor, graphite and paper-pulp on paper,
47 x 35 inches
Keri Oldham
Your Fears are a Passageway, 2016
watercolor on paper
60 x 50 inches
Keri Oldham’s large scale watercolor paintings depict bloodied tableaus inspired by folk art, mythology, medieval demonology and fantasy. Her paintings are modern allegories for women’s continued fight for success and identity in modern life. Oldham’s work was recently spotlighted byNew York Magazine/ The Cut, AM New York and Arte Fuse for her solo-exhibition Blood Banner at Lazy Susan Gallery, NY and work in Nasty Women at the Knock Down Center in Queens.
Originally from Dallas, Texas, Oldham has exhibited her work throughout the country, including, The Dallas Museum of Art, Kirk Hopper Fine Art in Dallas, Lazy Susan Gallery in New York, Jen Bekman Gallery in New York, Honey Ramka Gallery in Brooklyn, Helmuth Projects, San Diego, The Whatcom Museum in Bellingham, Washington. She has received awards including a 2010 Fellowship with BRIC Arts in Brooklyn and residency with Central Trak in Dallas.
Oldham also co-founded Field Projects, a project space and gallery in Chelsea. Her work has been spotlighted and reviewed by The New York Times, The Dallas Morning News, Paper City, Texas Monthly, Beautiful/Decay, Gawker Arts, Bad at Sports, Glasstire, D Magazine, San Francisco Weekly, KERA Art & Seek and others.
